Noir Kei Ninomiya Tulle-Trim Hooded Blouson
Noir Kei Ninomiya Tulle-Trim Hooded Blouson - view 2
Noir Kei Ninomiya Tulle-Trim Hooded Blouson - view 3
Noir Kei Ninomiya Tulle-Trim Hooded Blouson - view 4
Noir Kei Ninomiya black long-sleeve hooded blouson with ruffled black tulle trim at the hood, cuffs, and hem, full-length zip closure and slanted side pockets - front
Noir Kei Ninomiya black long-sleeve hooded blouson with ruffled black tulle trim at the hood, cuffs, and hem, full-length zip closure and slanted side pockets - back
Noir Kei Ninomiya Tulle-Trim Hooded Blouson
Noir Kei Ninomiya Tulle-Trim Hooded Blouson - view 2
Noir Kei Ninomiya Tulle-Trim Hooded Blouson - view 3
Noir Kei Ninomiya Tulle-Trim Hooded Blouson - view 4
Noir Kei Ninomiya black long-sleeve hooded blouson with ruffled black tulle trim at the hood, cuffs, and hem, full-length zip closure and slanted side pockets - front
Noir Kei Ninomiya black long-sleeve hooded blouson with ruffled black tulle trim at the hood, cuffs, and hem, full-length zip closure and slanted side pockets - back
Noir Kei Ninomiya
Noir Kei Ninomiya

Tulle-Trim Hooded Blouson

¥118,200
/
Size
Color
Checkout
600089438WHT00S / 3R-B009/051/2/2A

Design Details

  • Full-length centre-front zip closure with drawcord-adjustable hood
  • Ruffled tulle trim along the hood edge, cuffs, and hem
  • Relaxed A-line silhouette with a fitted underchest seam
  • Elasticated cuffs with additional tulle ruffle detail
  • Slanted side hand pockets
  • Lightweight technical shell fabric

Our Point of View

Rendered in a crisp, clean white, this blouson from Noir Kei Ninomiya reconciles the utilitarian rigour of technical outerwear with the label's signature romantic sensibility — ruffled tulle erupting at the hood, cuffs, and hem like a quiet disruption of form. The lightweight shell moves with an effortless ease, its A-line cut softened by that cloud-like tulle froth, creating a tension between structure and delicacy that is entirely the house's own. Wear it as a statement layer over fluid separates, letting the white-on-white tonal play speak for itself.

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